Venus no es Santo

Editor, Head of Post-Production, and Visual Effects for the short film Venus No Es Santo (IMDb).

The story follows an injured stranger who arrives at a secluded peasant family, offering to help them find water as a drought threatens their livelihood.

I managed the full post-production workflow, including editing in Avid Media Composer, color grading, and visual effects, ensuring the narrative’s pacing, visual coherence, and emotional impact were fully realized.

RED, la serie

Editor, Post-Producer, Sound Editor & Producer for a web series for Moovok’s digital platform, also distributed on YouTube and Instagram.

I managed the full production and post-production workflow for 8 episodes, overseeing every stage of the project from pre-production planning and coordination to final delivery. This included editing, sound design, color grading, visual effects, and quality control, ensuring a consistent, high-quality audiovisual experience across all episodes.

Additionally, I coordinated the entire post-production team, scheduling workflows, managing assets, and maintaining deadlines for multiple platforms. The project demanded strategic planning, creative problem-solving, and technical expertise, reflecting my ability to handle large-scale digital productions with both creative and operational leadership.

This web series project demonstrates my capacity to deliver professional, polished content at scale, combining storytelling, technical precision, and audience-focused production for multi-platform distribution.

En otro lugar

Editor for the music video “En Otro Lugar”, composed for the soundtrack of the film En Otro Lugar, produced by ATM Producciones and distributed by Moira Sound in collaboration with Escuela TAI.

The video was screened at Teatro Capitol in Madrid.

I handled the full post-production workflow, including editing in Premiere Pro and color grading in DaVinci Resolve, ensuring a polished and engaging final product.

The 20 Worst Nintendo DS Games

Editor and Content Producer for the YouTube video “The 20 Worst Nintendo DS Games”.

In this video, I explore the 20 worst games released for the Nintendo DS, highlighting both console classics and titles so bad they deserve to be forgotten, from digital Jenga to Elf Bowling 1 & 2.

I managed the full production workflow, including editing, pacing, and narrative structure, as well as YouTube content management, ensuring the video was engaging, entertaining, and optimized for audience retention and platform performance.

En otro lugar

Editor for the music video “ESTABA BUSCÁNDOTE”, a Pop-style videoclip released by Sony Music.

I handled the editing, color grading, and full post-production, ensuring a polished, visually engaging final product.

Skate VHS - Street wear 

Editor and Post-Producer for SKATE VHS, a fictional VHS-style spot.

I edited and post-produced clips from a documentary about skaters filmed in Madrid, transforming them into a promotional video.

The project involved extensive use of overlays, rotoscoping, and stylistic effects typical of music videos.

Software used: Premiere Pro and After Effects.

Rocío 

Editor for a Pop-style music video released by Maldito Records.

I handled the editing using Premiere Pro, delivering a polished and engaging final product.

VTS_02_01

Editor & Director for a fan footage short film, shot with an old Sony camcorder.

Handled the editing and post-production, applying effects characteristic of the VHS-style format.

Software used: Premiere Pro and After Effects.

TOD

Editor and Visual Designer for an experimental music video, a German Trap-style song.

I was responsible for creating the visual identity, shot composition, and overall aesthetic, as well as color grading and visual post-production, shaping the final look and mood of the video.

Software used: Premiere Pro.

TOD

Editor & Producer for the short film “HASTA QUE EL HAMBRE NOS SEPARE”, inspired by the grotesque genre.

I handled production, cinematography direction, editing, and post-production, ensuring a cohesive visual style and narrative flow throughout the film.

Software used: Premiere Pro.